Dispatches from the Victoria Fringe 2018. Day Six. Reviews of How I Learned to Hug by Jon Bennett and Rocko and Nakota Tales from the Land by Josh Languedoc (will be posted Thursday). Don’t forget to check out reviews from Day One (The Session, Reminiscences of Reconciliation, Fool’s Paradise), Day Two (Water People, Fado, Carey, OK!) Day Three (Sherlock Holmes and the Curse of Moriarty!, The Measure of Love, The Boy in the Chrysalis, Para … [Read more...]
Dispatches from the Victoria Fringe 2018. Day Five.
August 28, 2018 By 1 Comment
Reviews of Death, a Romantic Comedy by Rob Gee and Confessions of an Operatic Mute by Briane Nasimok. Don’t forget to check out reviews from Day One (The Session, Reminiscences of Reconciliation, Fool’s Paradise), Day Two (Water People, Fado, Carey, OK!) Day Three (Sherlock Holmes and the Curse of Moriarty!, The Measure of Love, The Boy in the Chrysalis, Para Dos), and Day Four (The Birdmann and Egg FINALE, Cornelius and Titania BLOOD … [Read more...]
Dispatches from the Victoria Fringe 2018. Day Four.
August 27, 2018 By 1 Comment
Reviews of The Birdmann and Egg FINALE, Cornelius and Titania by Pamela Bethel and BLOOD RELATIVE by Ren Lunicke. Day Four had me happily camped out at a relatively new Victoria Fringe venue—Venue 7, St Andrew’s Kirk Hall, entrance at 680 Courtney Street (NOTE: it’s listed incorrectly as 860 Courtney in the schedule found on page 22 of the Fringe guide)—meeting many old Fringe friend in the line-up (one of my favourite aspects of the festival) … [Read more...]
Dispatches from the Victoria Fringe 2018. Day Three.
August 26, 2018 By 3 Comments
Reviews of Sherlock Holmes and the Curse of Moriarty by David Elendune, produced by Outpost 31 Victoria, The Measure of Love by Nicholas Billon, The Boy in the Chrysalis produced by hapax theatre and Para Dos by Pointe Tango. Day Three was dedicated to all three shows at Langham Court Theatre before heading downtown to the Metro Theatre. (side note: thanks to Langham for this year’s concession, which was doing brisk business in treats—you can … [Read more...]
Dispatches from the Victoria Fringe 2018. Day Two.
August 25, 2018 By 2 Comments
Reviews of Water People by Ellen Arrand, produced by Theatre Inconnu, Fado by Elaine Avila, produced by Puente Theatre and Carey, OK! Timeless Timely Tunes by Carey Wass. Everyone Fringe fanatic has a plan and a strategy—sometimes I borrow my friend Arlene’s and go to one venue to stay there to see as many shows as possible, at other times I want to plan forays to the off-site venues. Friday night was a blend of both—catching an early show at … [Read more...]
Dispatches from the Victoria Fringe 2018. Day One.
August 24, 2018 By 4 Comments
Reviews of Kalamazoo by Bema Productions, The Session by things falling apart theatre company, Reminiscences of Reconciliation by Logan Keewatin Richards and Fool’s Paradise by Anna MacAlpine (Blue Elephant Theatre). Lindsay Delaronde, the Indigenous Artist in Residence for the City of Victoria, opened the 32nd Victoria Fringe Festival with a performance and enjoined those present at the preview in Centennial Square to “hold space” for the … [Read more...]
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